First Published: 2017-12-04

Hanaa Malallah, one of Baghdad’s foremost artists exhibits in London
The exhibition features four of Malallah’s self-portraits from 1989 revealing an intelligent, probing and perhaps a tragic person.
Middle East Online

By Karen Dabrowska - LONDON

Self-portrait of Hanna Malallah, 1989

Her work reflects the plight of Iraqis and her experiences of sanc­tions, war and suffer­ing, said Hanaa Malal­lah, one of Baghdad’s foremost artists of the 1980s and 1990s. Her self-portraits and abstract works are on display in London’s Park Gal­lery exhibition “From Figuration to Abstraction.”

Malallah and ten other promi­nent artists known as the “Eighties Generation” chose to stay in Iraq through the Iran-Iraq war (1980- 88) and the Gulf war (1990-91). She left the country in 2006 during the second Gulf war after receiving death threats from militias. She was working at the time as direc­tor of the graphics department at Baghdad University’s Institute of Fine Arts.

After she fled Iraq, many of Mala­llah’s paintings were looted from her home. Her work in the National Museum of Modern Art in Baghdad suffered the same fate. Today, the museum is a shadow of its former self with only 200 works on display. Out of the original collection of 8,000, more than 7,000 were sto­len.

The “From Figuration to Abstrac­tion” exhibition features four of Malallah’s self-portraits. Serious, reflective, introspective works with a critical gaze, the oil-on-canvas self-portrait from 1989 reveals an intelligent, probing and perhaps tragic person.

“The self-portraits convey many layers of thought and concepts,” Malallah said. “Those in the exhibi­tion are from the time when I was a rebellious teenager studying art, eager to learn and acquire skills and beat my male colleagues at art insti­tutions and at university.”

“Looking in the mirror to draw myself gave me the experience of looking at my inner self and then to materialise my ephemeral reflec­tion in the mirror. In books I saw many master artists had produced self-portraits and I had the illusion I would be a great artist one day. This did not happen,” Malallah said modestly, seemingly oblivious to her success as an artist and profes­sor of art.

In addition to self-portraits, she has painted portraits of people she encountered in everyday life. A painting of a security guard at the National Museum of Iraq shows the meeting point of her figurative and abstract works, which followed her self-portraits.

“This work is from my first solo exhibition in Baghdad in 1991, im­mediately after the USA bombed us heavily. The title of the exhibition was ‘Documents of visiting the Ar­chaeological Museum/Baghdad’ at the Saddam Art Centre. This work was like a prediction as the mu­seum was looted in 2003 when the USA invaded us,” Malallah said.

The portrait of the guard is clear but the artefacts that flank him show the artist’s increasingly ab­stract motifs. The museum, which she frequently visited, was forma­tive in Malallah’s development as a young artist. The portrait of the guard reveals a delicate apprecia­tion of the person and the artist’s sensitivity to his feelings. He is shown between two Mesopotamian sculptures. One seems to look at him, suggesting a direct communi­cation between the ancient stone statue and the contemporary Iraqi.

By 1990 Malallah began to focus on abstraction, marking the begin­ning of a period of great creativity. Her interest in symbols is evident through her repeated use of the Phoenician symbol Ayn (eye), a letter found in Arabic and Hebrew. This interest continued to develop and led to her thesis, “Logic Order in Ancient Mesopotamian Paint­ing,” which she presented for her doctorate in the philosophy of painting in 2005.

“There are messages hidden un­derneath all my abstract art works,” Malallah said. “I never practise ab­straction as pure abstract as is the case in the West. There are compli­cated mathematical divisions un­derneath all the chaotic colours and shapes. I am exploring the concept that there is order behind chaos and vice versa.”

Joe Start, manager of Park Gal­lery, said the carefully ordered cir­cular symbols and missing spaces were early hints of the artist’s fas­cination with the relationship be­tween order and chaos, a sentiment that reflected her existence in a tur­bulent environment.

After leaving Iraq, Malallah had an art residency at the Arab World Institute in Paris, after which she was awarded a fellowship by Lon­don University’s School of Oriental and African Studies (SOAS). She was invited to take up a fellow­ship at the Chelsea College of Arts in London for three years. She now splits her time between London and Manama, where she is associ­ate professor of art at the Royal Uni­versity for Women.

Commenting on today’s art scene in Iraq, Malallah said: “It is very bad as all public and private sector art institutions including galleries have been destroyed… It is really gloomy.”

“From Figuration to Abstraction” runs at the Park Gallery, London, through January 13.

Karen Dabrowska is an Arab Weekly contributor in London.

This article was originally published in The Arab Weekly.

 

Erdogan urges world to recognise Jerusalem as Palestinian capital

Saudi, UAE seeks to help West Africa fight terrorism

US skeptical about Putin's declaration of military victory in Syria

Saudi King says determined to confront corruption

Saudi Arabia lifts decades-long ban on cinemas

Israel intelligence minister invites Saudi prince to visit

Saudi-led strikes kill 30 in rebel-run Yemen prison

Saudi king says Palestinians have 'right' to Jerusalem

South Sudan needs $1.7 billion humanitarian aid in 2018

UAE oil giant floats 10 percent of retail arm to strong interest

Growing concern about rise of far-right in Austria

Israeli sentenced to four years for arson attack on church

Erdogan risks sabotaging fragile relations with Israel

6.2-magnitude earthquake strikes Iran

Two Gazans killed by Israeli ‘strike’, Israel denies claim

French FM accuses Iran of carving out ‘axis’ of influence

Somali journalist killed in front of children

Over 170 dead after South Sudan rival cattle herders clash

Russia begins partial withdrawal from Syria

Russia weary of returning IS jihadists before World Cup, election

EU accused of complicity in Libya migrant rights violations

Pentagon skeptical about Russia's Syria pullout claims

EU says Syria war ‘ongoing’ despite Russia pullout

Istanbul nightclub gunman refuses to testify

Integrating Syrians in Turkey carries implications

US opinion views Muslims and Arabs more favourably but political affiliation makes a difference

Iranian conservative protesters say Trump hastening end of Israel

Senior Saudi prince blasts Trump's "opportunistic" Jerusalem move

Kuwait ruler’s son named defence minister

Jordan referred to UN for failing to arrest Sudanese president

Turkey demands life for journalists in coup bid trial

Netanyahu expects EU to follow suit on Jerusalem

Putin orders withdrawal of ‘significant’ amount of troops from Syria

Putin to meet with Sisi in Cairo

GCC at a critical juncture

Houthi rebels tighten grip on Sanaa after Saleh’s assassination

Israel’s Syrian air strikes risk renewing escalation as Iran expands presence in Golan

Qatar to acquire 24 Typhoon fighters from UK

Bahraini civil society group criticised after Israel visit

Israel PM faces renewed pressure in Europe

Palestinian stabs Israeli guard in ‘terrorist’ attack

UAE’s Sheikh Mohammed says US Jerusalem decision could help terrorists

Fateh encourages more protests, refuses to meet Pence

Chinese electric carmaker to open Morocco factory

Iraqi victory over IS remains fragile